Toad giving way to Winnie the Pooh than to the passionate minority who do, and that an attraction disappearing doesn't erase the joy and fond memories anyone got from it while it was still around. That part makes me feel better about some of the earlier impracticalities, and I do like the writer's eventual grudging reflections on the phenomenon of theme park evolution: that Disney as a company owes more to the 99% of visitors who don't know about / mind Mr. In the end the whole thing devolves into an extended joking suggestion that you sneak into the underground cast member 'Utilidors' and look for discarded pieces of older rides to take home with you. This man honestly suggests Carousel of Progress - a dated audio-animatronic show about technological advances that will never see a wait longer than ten minutes to enter - as your second stop of the day! He also lets his personal feelings vent in a few caustic displays about attractions he hates and won't ever go on again, which I consider unnecessary and a tad obnoxious. It's fine to organize an overview this way, but no guest should actually progress steadily through a Disney Park one themed land at a time, ignoring peak crowd sizes and queue times. I don't love how the text is presented as a tongue-in-cheek but still roughly plausible guide to visiting Walt Disney World yourself, though, because so much of the advice considered in that light is simply absurd. ![]() ![]() If a few paragraphs about the defunct ExtraTERRORestrial Alien Encounter pique your interest, for example, why not check out one of Kev's deep-dive videos or podcast episodes on the subject? Similarly, anyone who's already finished those won't get just a repeat here, as the framing concerns more of the current landscape instead. This approach sacrifices the depth of his web content for greater breadth, but it makes the title a good launching-off point for readers to seek out the former. Author Kevin Perjurer takes us systematically through the Orlando park, discussing in each section what's there now and what used to be. This first written spinoff of the eponymous Defunctland YouTube channel presents the same focus on change within theme parks and attractions that are no longer operational, but in the specific context of Disney World's Magic Kingdom as it exists in the present.
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